BOLA OH BOLA

CAKAP PASAL BOLA, memang sinonim dengan lelaki. Tapi sebenarnya, tak kurang juga wanita yang meminati sukan nombor satu negara itu. Meskipun mutu dan sokongan bagaikan cuaca tak menentu berbanding zaman kegemilangan Allahyarham Mokhtar Dahari, Dollah Salleh, Radhi Mat Din, Azlisham Ibrahim (hanya sebahagian nama) yang benar-benar menjaga maruah sukan bola sepak negara suatu ketika dulu. Adat kehidupan, manusia suka membandingkan dengan apa yang mereka suka. Apapun, sukan ini punya nostalgia sendiri bagi saya.

Dari kecil lagi saya telah didedahkan dengan bola sepak. Bukannya bermain bola tetapi minat yang mendalam arwah bapak terhadap bola, terutamanya pasukan kesayangan kami sekeluarga, Selangor. Usahlah disamakan pasukan tempatan dengan pasukan luar negara dalam Liga Eropah EPL. Patriotik ni.. Saban minggu jika ada pertemuan antara pasukan Selangor, bapak tak lepaskan peluang turun ke stadium untuk memberikan sokongan. Dek kerana pelik kenapalah bapak minat sangat tengok bola, saya di rumah pulak dok sibuk tengok bola yang disiarkan secara langsung di tv. Padahal, dalam kepala dok berfikir apalah diorang ni dok kejar2 bola.. Tak paham satu benda pun. Tapi tengok juga sampai habis.. Begitulah rutinnya setiap kali ada perlawanan. Bapak pulak, kalau Selangor menang balik dengan buka bukan main seronok. Kalau kalah, mmm sedihnya bukan main. Waktu tu saya di sekolah rendah.

Bila dah masuk sekolah menengah, dah mula minat dengan pemain bola terutamanya Selangor.. Dulu jangan cakaplah, memang hafal semua nama pemain selangor sampai ke pemain di bangku simpanan dan gemilangnya di bawah pengurus - Datuk Aini ketika itu.. Minat terhadap bola bertambah. Radio memang jadi peneman berbanding tv. Sambil buat kerja sekolah, sambil dengar radio semestinya Radio 3 Shah Alam (kini Selangorfm). Maklumlah orang selangor kan.. Saya tak lepaskan peluang mendengar laporan langsung perlawanan oleh Abang Jenal.. Dan pastinya lagu yang dok dihafal - Viva Selangor!!!!

Bila dah habis belajar pula,tanpa disangka saya terlibat secara tidak langsung dalam dunia sukan sebagai wartawan sukan!!! Haha.. mungkin ada yang dah tahu dan ada yang tidak. Sebelum habis pengajian di UiTM lagi saya buat freelance sebagai penulis skrip video korporat dan voice over sukan - Anugerah Sukan Negara dengan Silver Sports, kepunyaan pengulas sukan terkenal, Shaukei Kahar. Saya cukup bertuah kerana dilamar untuk bekerja dengan beliau. Yelah, kalau nak fikir cerewet, itu memang bukan bidang saya dan ramai lagi kawan2 menganggur takde kerja. So, fikir positif apa kata terima cabaran ni!!! Wah.. berani sungguh menyahut cabaran walaupun memang menyimpang jauh ke bidang sukan tapi kewartawanan tetap ada. Masih Mass Comm.

Cabaran pertama, saya dikehendaki membuat liputan penuh Badminton Terbuka Malaysia di Pahang. Uiiikk.. badminto pun tak reti nak main asal pukul. Bukan sekadar ambil laporan tapi bwa kres SCP (Single Camera Production) untuk produksi tv!!! Huhu.. tetibe jadi wartawan dan producer sedangkan ku tidak arif. Terpaksa mulakan semuanya dari awal, belajar dari si bijak pandai sebelum ke Pahang, dok buka buku manual badminton dan siap tanya dengan Pengarah Pusat Sukan UiTM, Encik Mustaza selok belok sukan ni.. Sampai macam tu.. Dan lagi, venue di Pahang tapi kami stay di Pantai Batu Hitam, Terengganu.. bayangkan jauh ke idak. Tapi itulah cabarannya. Lepas tu, saya aktif membuat liputan acara bola sepak Piala Emas Raja-Raja, Tiger Cup, Final Piala Malaysia dan Celcom Uni-League.. Pernah tu, saya seorang sahaja wartawan wanita yang bertugas untuk Final Piala Malaysia ketika tu. Kelakar sungguh. Wartawan mana? Kami dulu menyediakan story Piala Emas Raja-Raja dan Celcom Uni-League untuk akhbar utama seperti Kosmo, Berita Harian, Utusan dan laporan terus di web Media Sukan (Klik untuk singgah).. Tidur kat pejabat tu perkara biasa. Dari tulis berita, fax, reconfirmed, upload dalam web saya buat. Tapi foto adalah jurufoto kita amik.. Semuanya kenangan yang cukup indah..

Tahniah kepada Selangor yang menjulang Piala FA untuk kali ke-5 pada pertemuan akhir dengan The Red Warrior malam tadi. Meskipun permainan tampak agak hambar dan longgar pada separuh masa pertama, ucapan tahniah harus diberikan kepada nakhoda pasukan, Amri Yahyah yang bingkas merencanakan jentera tempur untuk kembali beraksi pantas pada separuh masa kedua. Untuk Kelantan yang pertama kali bertempur pada saingan perlawanan akhir sejak 39 tahun lalu, pujian harus diberikan untuk semangat juang yang tingg biarpun dihujani dengan kad kuning...

Dah namanya penentuan secara sepakan penalti, apa sahaja boleh berlaku. Syabas untuk kedua-dua pasukan, K. Devan, Peter James Butler, Encik Hamidin (setiausaha pasukan Selangor) Encik Azman Ibrahim (Pengurus pasukan Kelantan) yang Julia temuramah di KLfm Jumaat lalu.. juga untuk 80,000 penyokong yang menunjukkan semangat 1 Malaysia!!!! Chaiyo!! Majulah sukan untuk negara!!

SELAMAT DATANG GENG BARU KLFM

PATAH TUMBUH HILANG BERGANTI.. Kawan seangkatan, Ezan yang kiut semenjak berkahwin dapat tawaran maktab dan kini bergelar guru DG41. Sesuailah dengan ijazah yang digenggam. Khabar terbaharu, Ezan dapat mengajar di Putrajaya. Wah.. nampaknya jiran setempat dengan Julia dan Mimie.. Silap-silap ngajar zara dan afiq nanti. Ezan memang geng sepasukan untuk Ladies Nite dan 3-6. Pagi2 buta pukul 1.30 pagi Ezan datang amik nak ke konti. Sempat lagi singgah beli teh o dan Milo o kat Warung Rindu, Pantai Dalam. Pegi gym sama-sama walaupun berapa kali je... Hahaha.. Nostalgia sungguh minah dua orang ni.

Lepastu Kak Posh pulak naik pangkat dan kini bolehlah dipanggil Boss.. Jauhnya terbang ke Miri. Nak tau tak satu rahsia? Masa mula-mula masuk dulu, saya memang agak seram dengan Kak Posh.. bukan apa, rasa hormat sebab dia salah seorang dj otai di KLfm. Nak lagi, kak posh ni memang agak tegas orangnya, sampaikan saya buat kad birthday yang tak seberapa dan sorok2 letak atas meja nak bagi. Tapi, kak posh sebenarnya sangatlah peramah dan kelakar. Nak lagi bawa watak sebagai Kak Senah Ratu Kebaya, isteri kepada Abon dalam drama khas raya terbitan Julia tiga tahun berturut-turut. Memang tak kering gusilah kalau dengar lawak versi negeri sembilannya tu. Buleh kawan dengan Bang Bil.. (jangan marah Irma)..

Diikuti Bro Locky yang kini bertugas di Unit Promo Radio, Elly di Siaran Tv.. dan hari ini, dua orang baru masuk. Nak kata baru sangat tak jugalah.. Kak Yati dan Sonic. Kak Yati ni saya kenal sebelum masuk RTM lagi. Waktu tu doklah promosi Everest Climbers dari UiTM.. Mat dan Kobin di Nasional FM tengah-tengah malam. Lama juga kak Yati di NasionalFM selepas tu jadi Klasik Nasional dan seterusnya bertukar ke MuzikFM sebelum berpindah ke KLfm.. Orangnya sangatlah baik dan masih single..

Sorang lagi ni asalnya Sarawak dan bertugas di KuchingFM sebelum menjadi penjawat tetap dan bertugas di bahagian Perdagangan Kementerian di PJ dan kini Sonic atau nama sebenarnya Awang ..... (lupe Awang apa) mula bertugas di KLfm. Eloklah tu, meja Ezan dan Dave pun dah lama kosong.. Jadi, selamat menjadi warga KLfm..

HEROKU ULTRAMAN

SAPA SUKA ULTRAMAN? FIRE!!! Tiba-tiba pulak ada entri Ultraman ni.. Bukan apa, petang-petang cenggini tiba-tiba teringat pulak dengan cerita Ultraman, Satria Baja Hitam (yang buat saya ponteng sekolah mengaji sebab tak nak miss cerita ni sampai kena marah dengan mak)..

Entah kenapa, dalam banyak2 cerita dua ni paling saya minat. Masa kecik2 lagi memang suka sampaikan tengah main getah dan zero straw kat umah makcik sebelah pun sanggup lari balik nak tengok Ultraman.. Padalah tau umah kotak, fire2 butang bling2 jadik merah lepas tu fire terus raksasa kalah. Macam itu jelah ceritanya. Dan zaman itu pun berlalu.. ultraman sekarang pun dah macam2 nama tapi tetap tak boleh kalahkan Ultraman Taro pujaanku. Kalau rindukan Ultraman, saya suka airplay lagu Uchuu Keiji Gyaban.. atau Kamen Raida Black. .so kenalah dengar KLfm kalau nak joint dengar.

Sedikit info dari wikipedia..

Ultraman (ウルトラマン ,Urutoraman) is a fictional character featured in tokusatsu, or "special effects" television programs in Japan. Ultraman made his debut in the tokusatsu SF/kaiju/superhero TV series, Ultra Q: Ultraman: Special Effects Fantasy Series, a follow-up to the television series Ultra Q. The show was produced by Tokyo Broadcasting System and Tsuburaya Productions, and was broadcast on Tokyo Broadcasting System (TBS) from July 17, 1966 to April 9, 1967, with a total of 39 episodes (40, counting the pre-premiere special that aired on July 10, 1966).

Although Ultraman is the first series to feature an Ultra-being, this is actually the second Ultra Series. Ultra Q was the first. A major pop culture phenomenon in Japan, the show has spawned dozens of imitators as well as numerous sequels and remakes, which continue to be popular today.

To distinguish him from subsequent Ultra Warriors, Ultraman is referred to as the original Ultraman (初代ウルトラマン ,Shodai Urutoraman), the first Ultraman, Ultraman Hayata (a reference to his host's surname) or as simply Man.

Ultraman's creator was Eiji Tsuburaya from Tsuburaya Productions, a pioneer in special effects who was responsible for bringing Godzilla to life in 1954. The show's predecessor was a series called Ultra Q, a black-and-white 28-episode series very much like today's The X-Files or The Twilight Zone. When Ultra Q was finished, plans were underway for a series that would be even better.

Ultraman's special powers

This list covers powers used in and outside the series.

• Specium Ray (スペシウム光線 ,Supeshiumu Kōsen): Ultraman crouches slightly forward and crosses his wrists together, with his right forearm vertical and left forearm horizontal in front of it, and the thumb edge of his hands facing his body, to shoot from the outer edge of his right hand a particle/light-ray that kills most opponents. The effect is either an explosion or a fatal burn. The ray can be reflected (see Alien Baltan II) but loses intensity once reflected. The ray can also be negated by similar energy (see Alien Mephilas). Specium is actually a substance found on Mars that itself is deadly to at least one monster species (the Baltans), as established in Episode 2 ("Shoot the Invader"). The Specium Ray—indeed all of Ultraman's Specium-type energy attacks—may be based on that substance, but this is never stated as the case in the series. Regardless, the S pacium Ray is perhaps Ultraman's most powerful single weapon, and very few creatures are immune to it, such as Keronia and Zetton. In Ultraman vs. Kamen Rider, Ultraman uses it in conjunction with a giant Kamen Rider 1's Rider Kick to destroy Sasori-Gadoras, who had managed to absorb the ray earlier. (This weapon was used on nearly all opponents.) In Ultraman Mebius, he used this to destroy Mephilas' blasts. In the movie, he used this on Ukillersaurus, and combined it with Ultra Seven's Wide Shot in an attempt to defeat alien Guts.

• Ultra Slash (ウ ルトラスラッシュ ,Urutora Surasshu): Ultraman fires a saw-like Specium-energy ring (a Cutting Halo (八つ裂き光輪 ,Yatsuzaki Kōrin)) from his hand. This Halo can slice his opponent in half. The Cutting Halo does have drawbacks however: a Baltan alien was able to deflect a Halo with his barrier, Gubira was lucky enough to catch a second Halo on his nose, rather than be sliced by it, and Keelar was just as lucky to catch a third Halo with his tail. Alien Mephilas destroyed a fourth Halo with his Bare Hand Beam, and a fifth Halo shattered after striking Zetton 's barrier. In Ultraman vs. Kamen Rider, Ultraman used this to sever Sasori-Gadoras' tail after Kamen Rider 1 had been struck. (This was used against Redking and Alien Baltan II, among other opponents.) In the Mebius movie, he used it cut Ukillersaurs' tentacles during the final battle. In Episode 47 of Ultraman Mebius, Alien Mephilas was able to evade a pair of the halos Ultraman sent at him for a while, before shattering them with his bare hands.

• Electrical Immunity: When att acked by Neronga in Episode 3 of the series, and by Alien Mephilas in Episode 47 of Ultraman Mebius, Ultraman evidences immunity to electrical or lightning attacks. Not all Ultra-beings have this immunity.

• Ultra Attack Beam (ウルトラアタック光線 ,Urutora Attakku Kōsen): By focusing energy from his left hand into a spiral energy beam around his right arm, then directing the energy at a targ et creature, Ultraman can induce a temporal stasis, in effect paralyzing the target. This is a rare power, and was only used once, against Keronia in Episode 31, when the Spacium Ray had failed him. Resembles a Karate "Seiken-zuki".

• High Spin (ハイスピン ,Hai Supin): Ultraman can counter temporal/spatial attacks or can damage opponents by spinning rapidly in an upright position. The attack is remote, and does not involve beams, but it can rip space on a local level, cause remote explosions, or create immobilizin g rings of force. He used it against Bullton successfully; he also used it against Zetton, who interfered with the attack.

• Ultra Air Catch (ウルトラエアキャッチ ,Urutora Ea Kyatchi) Version I: Using narrow beams from his index fingers, Ultraman can paralyze objects suspended in mid-air. This is followed by a Cutting Halo that divides in two to cut the suspended object into thirds. (He used this power against the second Redking, who had swallowed a quantity of bombs, so that he could carry the top third, containing the missing bombs, into outer space where they could expl ode harmlessly.) It is also called Ultra Anti-Gravity Beam

• Ultra Air Catch (ウルトラエアキャッチ ,Urutora Ea Kyatchi) Version II: With considerable concentration, Ultraman can converge two parallel swirls of energy originating from his palms to lift an opponent off the ground and repel it. This power also may involve a remote attack, as it was followed by explosive destruction of the target. It was used against Keelar.

• Ultra Psychokin esis (ウルトラサイコキネシス ,Urutora Saikokineshisu): Ultraman's telekinetic power. Used before the Ultra Air Catch Version I. It is also called Ultra Willpower (ウルトラ念力 ,).

• Flight (飛行能力 ,Hikō Nōryoku): Ultraman can propel himself in a controlled manner through the air. Apparently it takes little energy to do this, as he almost always is able to launch at the conclusion of a fight and get out of sight to change back into his human host. Book sources indicate this is possibly due to special jet boots, but that effect is never in evidence on the television programs.

• Teleportatio n (テレポーテーション ,Terepōtēshon): In dire emergencies when flying to a location would be too slow, Ultraman can teleport to it instead. Ultraman used this power to return to Earth from Planet R, in order to combat an invading Baltan force in Episode 16. However, this power has a high energy demand and his warning light will usually turn red and/or begin to blink as soon as he arrives at his destination. In the English-language dubbed version only, a peculiar symptom of Ultraman's preparation to teleport is manic laughter. When Ultraman teleports, he leaves behind Hayata's body in its comatose state, and the two cannot re-merge until they are in sufficient proximity. Note: despite the statement in the show tha t teleportation is a major drain of his energy, when Ultraman teleported from Planet R to Earth his warning light was still blue, and this was also after having destroyed Baltans on Planet R.

• Ultra Current (ウルトラ水流 ,Urutora Suiryū): Ultraman can direct a high-pressure stream of water from his fingertips by touching his hands together. This may not actually be water from Ultraman's body, but rather a forced condensation of water in the atmosphe re channeled into a stream. It was used to kill Jamilar, whose body was water-soluble, and to extinguish the fires caused by Pestar.

• Dynamic Size Change (巨大化能力 ,Kyodaika Nōryoku): Ultraman can control his molecular structure, phasing from human-size to giant-size. He places his hands in front of his chest at 45 degree angles, thumb edge facing inward, and then sharply gestures outward. This is not the same as his transformation from human form as Hayata. It was used only once, t o counteract Dada's micronizer ray.

• Clairvoyance Beam (透視光線 ,Tōshi Kōsen): Ultraman's vision extends into a wider range of the electromagnetic spectrum than that of humans, at least into infra-red and ultraviolet, and probably further to include gamma rays and X-rays. One manifestation of this power is a beam of energy, resembling a spotlight, that is emitted from Ultraman's eyes and which renders electromagnetic cloaks used by shielded objects and beings inoperative. (Used to spot the Baltan spaceship in Earth's atmosphere at night, and the Dada when it attempted to remain invisible.)

• Ultra Chop (ウルトラチョップ ,Urutora Choppu): A standard karate chop, though a more powerful vers ion is accompanied by a flash of energy on impact. Ultraman used an example of the latter to defeat the monster Jirass/Keyra. It is also called Ultra Mist Cut (Urutora Kasumi Kiri ).

• Ultra Punch (ウルトラパンチ ,Urutora Panchi): It has the power of 50 Indian elephants.

• Ultra Kick (ウルトラキック ,Urutora Kikku): Ultraman has a shoe size of 320 mon and Three-Fold Joints (Sanjū Kansetsu ).

• Ultra Swing (ウルト ラスウィング ,Urutora Suwingu): Ultraman swings an opponent around several times before letting go. It was used against Keronia and defeated the first Redking and Terresdon.

• Ultra Eye Spot (ウルトラアイスポット ,Urutora Ai Supotto): When Alien Baltan II's barrier deflected Ultraman's Cutting Halo, Ultraman used this eye beam to neutralize the barrier. It is also called Ultra Discernment (Urutora Gank)

• Slash Beam (スラッシュ光線 ,Surasshu Kōsen): In his battle against Alien Mephilas, Ultraman used this line of chevron-like bolts fire from his fingertips while the two where in flight, and Mephilas countered with his Bare Hand Beam, which resulted in Ultraman being temporarily blinded.

• Catch Rings ( キャッチリング ,Kyatchi Ringu): Ultraman, spinning at high speeds, can produce three yellow energy rings to bind an opponent. It was used on Z-Ton, who managed to break free. It is also called Paralysis Beams (Kanashibari Kōsen ).

• Operation: Star of Ultra (ウルトラの星作戦 ,Urutora no Hoshi Sakusen): In Return of Ultraman Episode 38, Ultraman and Ultra Seven used this tactic to free Ultraman Jack.

• Ultra Separation (ウルトラセパレーション ,Urutora Separēshon): In the 1996 movie Revive! Ultraman, Ultraman created four duplicates of himself to fight various monsters simultaneou sly.

• Marine Spacium Beam (マリンスペシウム光線 ,Marin Supeshiumu Kōsen): A rainbow-colored Spacium Ray used to defeat Zeton in Revive! Ultraman.

• Energy Transfer Beam:In Ultraman Tiga Episode 49, Ultraman used this to replenish Ultraman Tiga 's stamina.

• Final Cross Shield (ファイナルクロスシールド ,Fainaru Kurosu Shīrudo): In the prologue of Ultraman Mebius & Ultraman Brothers, Ultraman, Ultra Seven, Ultraman Jack, and Ultraman Ace used this to imprison U-Killersaurs and Yapool in the sea at the cost of their ability to tran sform.

• Energy Exposure (エネルギー照射 ,Enerugī Shōsha): In Ultraman Mebius and Ultraman Brothers, Ultraman, Ultra Seven, Ultraman Jack, and Ultraman Ace gave energy from four directions to Ultraman Mebius, who had been imprisoned by Alien Guts.

• Giga Specium Beam (ギガスペシウム光線 ,Giga Supeshiumu Kōsen): In the PlayStation 2 video game Ultraman: Fighting Evolution Rebirth (released in 2005), Ultraman, who had been pummeled by the Chaos Specium Beam (Kaosu Supeshiumu Kōsen) of Chaosroid U (Kaosuroid o Yū) (but survived) and empowered by the light of the Plasma Spark, used this extremely powerful version of the Specium Ray to destroy Chaosroid U and save the Land of Ultra from Alien Mephilas' invasion.

• Beta Capsule Transformation: Ultraman's cohabitation within Hayata's body is not entirely unlike the religious or spiritual concept of possession^{[citation needed]}. However, Ultraman d oes not attempt to control Hayata's decision-making. Hayata's mind and spirit control his body under ordinary circumstances. Yet it is possible, as evidenced by the many close calls to Hayata's life, that Ultraman can intercede in some way to protect Hayata's body, presumably in the form of accelerated healing of injuries as Hayata would be injured in some episodes. However any injury that Hayata receives is not transferred to Ultraman when Hayat a triggers the Beta Capsule, and Hayata can still be shown as wounded when Ultraman reverses the change. Also when Hayata was hypnotized by underground aliens in an effort to control Ultraman, the plan failed since they didn't count on the fact that Ultraman would be immune to mind control by them. Only the Beta Capsule can trigger the physical transformation from Hayata to Ultraman. Where the Beta Capsule goes when Ultraman is active is not known, but during his first battle with Gomora (Gohora in US version) the Beta Capsule was somehow separated from him by a strong attack from the monster. This also revealed that the Beta Capsule only works for Hayata, as the child who retrieved the capsule trip ped its igniter switch and nothing happened to either the child or Hayata. When Hayata ignites the capsule, Ultraman does not have to appear precisely where Hayata was standing, but he usually does appear very close to that location, and often, but not always, in a similar pose. Should Hayata use the Beta Capsule inside a building, Ultraman can choose to appear from within it or outside of it, even projecting himself during transformation through the specially-reinforced walls of Science Patrol Headquarters. One occasion demonstrates the variability: Hayata was atop a building during a mission where Alien Baltan was attacking, and the Beta Capsule fell out of his reach and landed on a ledge below. With Hayata needing to transform immediately and having no way to reach the device safely , he took an extraordinary gamble and threw himself head first off the building and managed to grab the capsule and ignite it as he fell. Ultraman then appeared on the ground, safely standing on his feet. Ultraman changes back to human form by beaming a spiral of energy from his hands to a point on the ground. Hayata's body materializes within this spiral, and Ultraman's body vanishes. The only episode that showed Hayata split from Ultraman and laying in a coma was when Ultraman teleported from a planet he had destroyed some Baltans on back to Earth so that he could finish off the rest off them. For unknown reasons, Hayata's body was left behind in a deep coma state, possibly in stasis, until Ultraman returned. Either the teleportation power somehow split them apart or else Ultraman left Hayata's body behind to maintain the secret identity.

  

SELAMAT DATANG MENTERI YANG BARU

SELAMAT DATANG untuk Menteri Penerangan, Komunikasi, Kesenian dan Kebudayaan yang baru saja dilantik, Datuk Seri Utama Dr Rais Yatim menggantikan Dato' Ahmad Shabery Cheek yang kini bertukar portfolio sebagai Menteri Belia dan Sukan. Tahniah untuk keduanya.

Siapa yang tidak kenal dengan Datuk Seri Utama Rais Yatim, antara menteri paling veteran dalam kabinet juga antara yang paling berpengalaman. Dilahirkan pada 15 April 1942 di Kampung gagu, Jelebu, Negeri Sembilan. Berkahwin dengan Datin Seri Masnah Muhamat pada tahun 1974 dan dikurniakan 4 orang cahayamata, tiga lelaki dan seorang perempuan.

Mendapat pendidikan rendah di Sekolah Melayu Jelebu, Negeri Sembilan dan Sekolah Inggeris Kerajaan pada tahun 1961 di peringkat menengah sebelum melanjutkan pelajaran di Northern Illinois University, USA (Diploma Psikologi), LLB (Hons) University Of Singapore - 1969 hingga 1973, Ijazah Pengajian Pasca Siswazah di Kong's Collage, University Of London - 1991 hingga 1992, PHD Undang-undang Sivil, Perlembagaan dan Hak Asasi Manusia dari King's Collage, University Of London - 1994 selain pernah mengikuti kursus di Maktab Perguruan Bahasa, Lembah Pantai, KL pada tahun 1961.

Dari segi kerjaya, beliau bermula sebagai gugu sementara di sekolah Menengah Inggeris Kota, Rembau N9, Guru di SEkolah Menengah Undang, jelebu dan pensyarah di ITM. Pada tahun 1974, beliau menjadi setiausaha parlimen Kementerian Kebudayaan, Belia dan Sukan sebelum dilantik sebagai Timbalan Menteri Undang-undang pada tahun 1977, Timbalan Menteri Dalam Negeri (1978), Menteri Besar N9(1978 - 1982), Menteri Pembangunan Tanah dan Wilayah (1983), Menteri Penerangan (1984-1986), Menteri Luar Negeri (1986), Menteri Jabatan Perdana Menteri (1999 - 2004), Menteri Kebudayaan, Kesenian dan Warisan (2004), Menteri Luar Negeri (2008) dan Menteri Penerangan, Komunikasi, Kesenian dan Kebudayaan (2009).

Tahniah sekali lagi!

BOMBA GIRL

Bomba yang menyelamatkan botol susu..

nIN Non..!!! Nin Non!!! Bomba datang berlumba-lumba. A Ali B Budak, C Cerdik.. Haha.. masa shopping mopping baru-baru ni untuk beli abrang dapur, macam biasalah zara akan duduk dalam troli. Tak nak dah duduk kat stroller.. Baru-baru ni zara tak bising bila sesuatu 'melekat' di kepalanya. Tak macam biasa. Abah pun apa lagi, siap buat eksperimentasi pakaikan helmet. Kiut sebenarnya helmet tom & jerry tu. tapi dua kali pandang dah macam topi bomba yang mama pernah pakai masa jadik kadet bomba kat SMK Rantau Panjang, Klang (saja nak kempen nama skolah).. Mama memang semangat cakap pasal kadet bomba ni sebab mama memang komandan kadet bomba sekolah dulu, jangan main-main.. Ada rumah tebakar.. panggil bomba cepat-cepat.. Yandarwisy, apa lagi, ko kan PBSM.. Tolong!!!

SANTAI DI MENARA KL BERSAMA HEZRY

Gaya Zara Ke Rumah Baby Sitter

Uiii... besarnya beg.. apa isinya tu?

Sedia nak balik mama.. Siap dengan kasut cit cit jerry mouse

Hari ini, mama dan abah pimpin sayang, esok dah besar jangan tinggalkan kami di belakang ye.. Inilah gaya zara pergi dan balik dari rumah babysitter, Ibu Ita di Pantai Permai. Nak tengok lagi, klik di sini

Vampire Donat Coklat

Ish ish ish.. kemain comot lagi. Anak sapa la ni? Inilah pose istimewa zara sebagai vampire donat coklat di Big Apple, Alamanda Putrajaya. Saje je tak nak lap. Lepas pose baru lap.. Zara ni macam mama dan abah dia jugaklah, hantu coklat. Satu lagi, zara memang suka makan donat.. Mana taknya, mama dia memang suka sangat makan donat dari Big Apple tu, lagi-lagi yang coklat atau badam.. nyum nyum sedapnya..